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There is an active debate taking place in the spheres of politics, museum policy

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There is an active debate taking place in the spheres of politics, museum policy, and public opinion over the repatriation of artworks – their return from European or American institutions to the original countries where they were created. Much of the artistic heritage of countries such as Egypt, Greece, and Nigeria (and many others – these are just some of the examples discussed in the articles below) are now housed in major Western European and American museums like the British Museum, Louvre, and Metropolitan Museum, far from where they were made. When should artworks that critics claim were stolen be returned? While there have been near-universal calls for the return of artworks looted or stolen by the NAZIs, examples of artworks removed in earlier periods—particularly under European and American colonialism—have proved more controversial.
For this response paper, read the four short articles and watch the one short video linked below. These are selected from MANY newspaper, magazine, and academic articles about the issue (in addition to these, feel free to seek out others online). They address a range of repatriation situations from small community museums to the vast collection of the British Museum in London:
Video: The British Museum Is Full of Stolen Artifacts
Article: NYT – A Case for Finders Keepers.pdf
Article: Exeter to repatriate Blackfoot regalia to Siksika Nation | Colonialism
Article: What the “Nefertiti Hack” Tells Us About Digital Colonialism
Article: The British Museum Says It Will Never Return the Elgin Marbles, Defending Their Removal as a ‘Creative Act’
After reading these articles, write a brief (400-500 word) response paper in which you address some of the following questions (and please consider your answers carefully – these are complicated issues with little straightforward resolution):
-What are some of the arguments made for and against the return of artworks stolen or taken in the eighteenth and nineteenth centuries? Which arguments (for either side) do you find most convincing? Is there anything that has been left out that you think needs to be considered?
-What factors do you think need to be taken into consideration when considering whether an individual artwork or object should be returned to its place/people of origin? Are there some categories of artworks that it makes more sense to return than others? Give specific examples from the sources (though you don’t need to discuss ALL of the cases raised by the articles and video).
You do not need to use a particular citation style, or include a bibliography or works cited page, unless you use or consult articles or videos outside of the ones that I’ve asked you to look at. In your paper you can just refer to the articles by their publication name. And example would be: “In the New York Times article, it is mentioned that….” If you do quote directly from the sources, those passages should be put in quotation marks.
Video: The British Museum Is Full of Stolen Artifacts
https://kottke.org/20/08/the-british-museum-is-full-of-stolen-artifacts
Article: Exeter to repatriate Blackfoot regalia to Siksika Nation | Colonialism
https://www.theguardian.com/world/2020/apr/14/exeter-to-repatriate-blackfoot-regalia-to-siksika-nation
Article: What the “Nefertiti Hack” Tells Us About Digital Colonialism

What the “Nefertiti Hack” Tells Us About Digital Colonialism


Article: The British Museum Says It Will Never Return the Elgin Marbles, Defending Their Removal as a ‘Creative Act’

The British Museum Says It Will Never Return the Elgin Marbles, Defending Their Removal as a ‘Creative Act’


to write the peaper use only those 5 resource only.

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